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By Emily Brontë

Cumbres borrascosas, que se convertiría en una de las novelas más indiscutibles del siglo XIX, tuvo una acogida decepcionante cuando se publicó en 1847, pues los lectores victorianos se sintieron incomodados por lo que consideraron una descripción demasiado cruda de pasiones sin keep an eye on. Al igual que Jane Eyre, de l. a. hermana de Emily, Charlotte Brontë, Cumbres borrascosas se basa en los angeles tradición de novela gótica de finales del XVIII, con apariciones sobrenaturales, noches sin luna y efectos de misterio y terror. Pero l. a. novela trasciende ampliamente el género gracias a sus penetrantes observaciones y a su complejidad, así como, por encima de todo, a sus inolvidables caracterizaciones. los angeles trágica historia de amor entre los angeles apasionada Catherine y el atormentado Heathcliff es sin duda uno de los romances más inolvidables de l. a. literatura de todos los tiempos.

La magnífica traducción de Carmen Martín Gaite vierte al castellano toda los angeles pasión y verdad poética contenidas en esta gran obra.

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We first meet the quiet, receptive Margaret Saville, a representation of Mary Shelley舗s most public persona; we are then prepared to encounter her at a more profound level, in the loneliness of Walton; when we get to Victor舗s narrative, we are reading about Mary舗s deep-rooted questions regarding herself as creator. In revealing these levels of her personality, Shelley prepares us舒and herself舒for the revelation of her 舠core:舡 the guilt-ridden, affection-craving creature who desperately seeks an acceptance it does not seem to find.

His loss made her surviving son all the more precious to her, and as their financial problems persisted Mary turned to writing for money rather than literary reputation. Many of Frankenstein舗s readers are surprised to discover that Shelley wrote steadily through her life, producing six novels after her first, Frankenstein, two verse plays, two travel works, several biographies, translations, children舗s stories, and edited works. In addition, she composed numerous essays, poems, and reviews and more than two dozen short stories.

24舒25), bringing to mind his and Frankenstein舗s struggles between their creative and self-destructive energies. The monster/ creator conflation most forcefully conveys this idea of humanity舗s conflicting impulses to create and destroy, to love and hate. Shelley could not have chosen a subject with more relevance to twentieth- and twenty-first-century readers than humankind舗s own potential inhumanity to itself. Our ambitions have led us to the point where we, too, can accomplish what Victor did in his laboratory that dreary night in November: artificially create life.

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